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The sculpture takes its cue from Albrecht Dürer’s 1515 engraving of a rhinoceros: an animal the artist had never actually seen, but pieced together from descriptions. That is why it became an icon—not because it is accurate, but because it is memorable. I am interested in this discrepancy: when the image is more powerful than reality. The rhinoceros is thus not a zoological figure, but a cultural object: the meeting of history, fantasy, and form.… An animal “arriving from the past” that now functions as a design object in the present.
Ágnes Nagy is a sculptor with a foundation in ceramic forming, passionately experimenting with ceramics and integrating materials like bronze, steel, and marble. She uses masterful, hand-built, layer-by-layer techniques with chamotte clay to forge one-of-a-kind, actual-size sculptures, blending striking simplicity with intricate detail and texture. Her works abstract the animal body into monumental forms, channeling both movement and mass, evoking fragility and dignity. Through her sculptures, she conveys a profound sense of reverence and spiritual unity, inviting viewers to meditate on creation, memory, and the shared essence of all beings.