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Micro concrete with colored patina
The pain of women facing gender-based violence is what is depicted here. Fear and guilt merge with the anguish of an existence lived in solitude and silence; that is why her body seems to rest on air, on the intangible, as its only possible support.
The forced posture and intense back contraction, along with the use of the color blue —which refers both to Picasso's blue period and to the blues— evoke that vital,… deep and persistent pain, which is too often suffered in absolute solitude.
The figure, without defined features, represents all silenced women, an anonymous body embodying a collective pain. There is no defeat, only exhaustion after a silent struggle.
Antonio Imbernón Iranzo works in sculpture, painting, ceramics, and poster design, drawing on a self-taught and multicultural background developed in Chile, Puerto Rico, and Paris. His technique is characterized by formal synthesis, the use of geometric planes, and an essential figuration influenced by Mediterranean tradition and classical mythology. His works, which explore the human figure, memory, and universal values, convey a profound vital and spiritual emotion, seeking to give form to the inner essence of the human and the invisible.