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It is eternal because it is imperishable and syncretically represents several cultures, and because I unconsciously created and materialized a piece that is undoubtedly
the fruit of all my life experience and all my artistic and cultural memory. As I have already indicated, without being aware of it I molded a horse that somehow has a pre-Columbian dragon's mouth, which takes me back to the horses of ancient China but avoiding their expressionism,… which is hieratic, bringing it closer
To the archaic Greek horses, or to the Nasrid lions of the Alhambra, but closer culturally and chronologically I see a Picasso-esque horse, the work of that marvelous genius who seeks in the essential and the primitive, and which I embodied in almost Cubist geometric planes. As I have already said, my horse is everyone but no one; it is Imber because it arises from my circumstances and my historical context and from all the "inputs" I have received throughout my life. That is why it cannot be dated, it cannot be given a chronological framework. Golden = Eternal.
Antonio Imbernón Iranzo works in sculpture, painting, ceramics, and poster design, drawing on a self-taught and multicultural background developed in Chile, Puerto Rico, and Paris. His technique is characterized by formal synthesis, the use of geometric planes, and an essential figuration influenced by Mediterranean tradition and classical mythology. His works, which explore the human figure, memory, and universal values, convey a profound vital and spiritual emotion, seeking to give form to the inner essence of the human and the invisible.