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The sculpture presents the figure of a bull reduced to its pure essence. There are no superfluous details: the body is resolved in curved planes and internal voids that allow air to pass through the form, making space part of the work.
The deep blue, with nuances reminiscent of ceramic enamel or patinated metal, conveys a sense of density and, at the same time, serenity. The irregular surface captures light organically, generating subtle glimmers… that contrast with the shadows in the structural recesses.
The bull appears leaning forward, head down and horns pointing forward. However, it does not convey explicit violence, but rather contained tension: it is the energy preceding movement, the suspended moment before the impulse.
The open structure suggests that power resides not in mass, but in line; not in volume, but in gesture.
It is a work where form engages in dialogue with emptiness.
Antonio Imbernón Iranzo works in sculpture, painting, ceramics, and poster design, drawing on a self-taught and multicultural background developed in Chile, Puerto Rico, and Paris. His technique is characterized by formal synthesis, the use of geometric planes, and an essential figuration influenced by Mediterranean tradition and classical mythology. His works, which explore the human figure, memory, and universal values, convey a profound vital and spiritual emotion, seeking to give form to the inner essence of the human and the invisible.