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A modern sculpture in an abstract-figurative style depicting a stylized animal, similar to a horse. The forms are elongated and simplified, with a tilted head that breaks the verticality of the piece. A small vertical figure appears on its back, adding a possible symbolic or humanoid meaning.
Its earthy, golden-yellow color anchors it to the ground, and its simplified volumes connect it to contemporary sculpture, with primitive echoes of Iberian… art, especially in its frontality, rigidity, and symbolic character—traits present in sculptures like the Bicha de Balazote. Overall, the work combines ancient influences with a contemporary sculptural language. It is a votive figure seeking a God to whom to pray.
Antonio Imbernón Iranzo works in sculpture, painting, ceramics, and poster design, drawing on a self-taught and multicultural background developed in Chile, Puerto Rico, and Paris. His technique is characterized by formal synthesis, the use of geometric planes, and an essential figuration influenced by Mediterranean tradition and classical mythology. His works, which explore the human figure, memory, and universal values, convey a profound vital and spiritual emotion, seeking to give form to the inner essence of the human and the invisible.