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Hope, transformed into a woman, gazes longingly at the sky and, while wrapping herself up, also shelters the world.
"But that woman, removing with her hands the great lid of the tub, scattered them and prepared sad calamities for the men.
Only Hope remained inside, within its indestructible walls, under the rims of the jar, and did not fly out towards the door, for Pandora had first put the lid on the jar, by the will of Zeus, bearer of the aegis… and gatherer of clouds."
HESIOD on WORKS AND DAYS.
Antonio Imbernón Iranzo works in sculpture, painting, ceramics, and poster design, drawing on a self-taught and multicultural background developed in Chile, Puerto Rico, and Paris. His technique is characterized by formal synthesis, the use of geometric planes, and an essential figuration influenced by Mediterranean tradition and classical mythology. His works, which explore the human figure, memory, and universal values, convey a profound vital and spiritual emotion, seeking to give form to the inner essence of the human and the invisible.