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She gazes at the horizon in search of a longing, a dream.
The indigo color that covers her reinforces that melancholic introspection, symbolizing self-reflection. The gesture of playing with her hair depicts that silent waiting as time passes, almost imperceptibly. Because everything comes to those who know how to wait.
The soft, elongated lines do not strive for realism, but rather for emotion: an abstract… femininity that folds inward, protecting what it does not yet dare to express. The absence of features on the face universalizes its feeling; it is not a specific woman, but all those who have learned to converse with waiting. The sculpture, motionless yet alive, reminds us that in silence there is also movement, and that dreams, however long they may take, always find those who contemplate them with patience.
Antonio Imbernón Iranzo works in sculpture, painting, ceramics, and poster design, drawing on a self-taught and multicultural background developed in Chile, Puerto Rico, and Paris. His technique is characterized by formal synthesis, the use of geometric planes, and an essential figuration influenced by Mediterranean tradition and classical mythology. His works, which explore the human figure, memory, and universal values, convey a profound vital and spiritual emotion, seeking to give form to the inner essence of the human and the invisible.