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The image originates from a much earlier oil on canvas painting of a small lake near Devon, Alberta, a favourite hiking trail I have travelled for many years. In this process, I digitized the oil painting, then used serial digital 'brushes' to re-paint the scene into progressively abstract images on-screen. It takes many hours, moulding the original shapes and hues into exciting and colourful pictures, all from the one conventional 'source' painting… before producing on canvas. In this avatar of the source, abstract chaos is blended with impressionist flow, a celebration of fluid energy and nature’s hidden rhythms. To be quite candid, however, the digital transformation method involves such complex mathematical algorithms for each 'brush', I never really know exactly what will ultimately result. For more on the process, see my website.
Bruce Thompson, a self-taught painter and digital artist with a background in ecological sciences, works in watercolours, acrylics, oils, and digital media. His impressionist technique and vibrant palette are inspired by the Group of Seven, and he employs both traditional and digital "brushes" to express dynamic, flowing forms in nature. His art explores delicate ecosystems and the intricate relationship between humanity and the land, conveying a profound reverence for often overlooked natural spaces and evoking both wonder and a sense of ecological soulfulness.