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I mix my own paint when I use egg tempera. I mix fresh egg yolk with dry, powdered pigments, and water.
My landscapes are paintings and prints meant to give a degree of ambiguity that allows them to provoke a sense of familiarity and calm without presenting a specific location. Sea, land, and sky. These most basic elements of the natural world captivate me. A band of light dances across the surface of the water. A shadow defines the edge of a… mountainside. A shift of color marks the sky below and above the clouds. These relationships of light, line, and color are my experience of a landscape, and they return when I sit in my studio to paint. These paintings come from simple ingredients: memory and imagination, sea, land, and sky.
Caroline Adams is a painter and printmaker with a background from RISD and the Aegean Center for the Fine Arts, having worked internationally. She employs oil, egg tempera, and monotype, creating abstracted landscapes through layering techniques, ethereal washes, and varied mark making. Her limited palette and mastery of light infuse depth and warmth into imagined vistas. Her work evokes calm, awe, and profound familiarity, inviting viewers to find personal resonance within ambiguous, memory-steeped settings of land, sea, and sky.