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Michi – Der Sprung I

Christiane Hiltrop

2024 • Germany • Acrylic, Collage on Paper , Wood

20 x 12 in

$2,500

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Christiane Hiltrop

Germany

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Artwork details

Medium : Acrylic, Collage on Paper , Wood
Framing : Framing on request
Dimensions : 19.7x11.8in

About this artwork

Michi – The Jump I

This work encapsulates the moment of departure. The figure of the hare appears in mid-leap – not as a narrative motif, but as a symbol of movement, decision, and transition. Lines break free from the surface, color spaces overlap, and directions remain open.
Ink, acrylic, pencil, charcoal, and collage combine on an open wooden support to create a multi-layered pictorial space. The creative process remains visible: traces, overlaps,… and breaks are part of the visual language.
The rabbit refers to the Moon Rabbit of Japanese mythology (Tsuki no Usagi) – a symbol of change, return and the courage to take a step into the unknown.

NOTE: Part of the Michi – The Jump series.
The artwork can be presented in different orientations. With each decision, the relationship between image, space, and perception changes.

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Christiane Hiltrop

Germany

Credentials

Featured in gallery curations

Christiane Hiltrop develops open pictorial structures that exist between surface and space. Through the layering of paper, ink, acrylic, pencil, charcoal, and collage on an open wooden support, she creates dense yet breathable surfaces. Material is understood not merely as a support, but as an active component of the pictorial process.
Variable orientations change the perception of the work in space and constantly open up new perspectives – the viewer can become part of this open process.
In terms of content, European and Japanese visual logics merge as permeable layers. Signs, shifts in scale, and transparent planes create tensions between visibility and concealment, movement and stillness.
Hiltrop has a background in visual communication, art history, and modern Japanese studies. Her academic engagement with image theory and cultural studies shapes the conceptual orientation of her work.

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