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In my work, East and West, myth and present, the visible and the hidden meet. Through the process-oriented interplay of ink, acrylic, pencil, charcoal, and collage on open wooden supports, multi-layered pictorial spaces emerge. Varying depths and formats allow for flexible hanging arrangements and open up new perspectives on the interplay of line, surface, and space.
European and Japanese visual worlds merge into open spaces of meaning, where the… process of creation remains visible. In Shinto, bamboo represents protection and invites the kami, while pine symbolizes permanence and a long life. The butterfly is considered a messenger of the ancestors and an emblem of transformation – a sign of the cyclical process of becoming between this world and the next.
NOTE: The open wooden support allows for flexible presentation; the artwork can be hung in various orientations.
Christiane Hiltrop develops open pictorial structures that exist between surface and space. Through the layering of paper, ink, acrylic, pencil, charcoal, and collage on an open wooden support, she creates dense yet breathable surfaces. Material is understood not merely as a support, but as an active component of the pictorial process. Variable orientations change the perception of the work in space and constantly open up new perspectives – the viewer can become part of this open process. In terms of content, European and Japanese visual logics merge as permeable layers. Signs, shifts in scale, and transparent planes create tensions between visibility and concealment, movement and stillness. Hiltrop has a background in visual communication, art history, and modern Japanese studies. Her academic engagement with image theory and cultural studies shapes the conceptual orientation of her work.