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Other details :
Artwork on fixed support. Ready to hang. Framing on request.
Dimensions :
36x36in
About this artwork
A Study of the Archetypal Complex II presents an interior architecture shaped by memory, repetition, and psychological depth. Rising through layered arches and openings, the structure feels remembered rather than constructed, like an inhabited city of the psyche unfolding through time.
Warm ochres, browns, and softened greys create a weathered atmosphere where light drifts gently across the surface. The repeating arches function as thresholds rather… than fixed entrances, suggesting movement, return, and layers of inner experience held within a larger whole.
Near the base, a small luminous white animal appears against the darker ground, introducing a sense of instinct, vulnerability, and guidance within the vast structure above.
Part of the larger Archetypal Complex series, the work reflects on the psyche as layered, permeable, and shaped through repeated passage.
Christopher Lee Chang is a Canadian painter, writer, and founder of the Art Research Institute. Anchored by the question, "What happens when imagination is taken seriously?", his practice investigates the symbolic architecture of the human soul. Drawing on trauma-informed therapy, attachment theory, and archetypal psychology, his work spans from executive coaching to mythopoetic oil paintings like A Stranger at the Gate and Archetypal Complex. His Four Faces of God, recently selected for display at the U.S. Ambassador to Canada’s residence, functions as "visual midrash"—contemplative thresholds that invite profound moral and relational reorientation. This June, he extends his inquiry into the literary sphere with The Book of Reflection: Love as Seeing. Bridging psychological science, Kabbalistic wisdom, and relationship psychology, the book introduces "The Love Equation"—Reflection, Devotion, and Sovereignty—to help readers break unconscious patterns and building conscious intimacy.
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