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Other details :
Artwork on wood. Ready to hang. Framing on request.
Dimensions :
36x36in
About this artwork
Study of The Mirror of Breath explores reflection as a living exchange between presence, atmosphere, and perception. Soft fields of color gather and dissolve across the surface, creating a space that feels simultaneously intimate and expansive. Forms emerge only partially, as though appearing through breath, memory, or changing light.
The composition resists fixed boundaries. Layers of pigment remain permeable, allowing the painting to shift between… figure and field, interior and exterior. Light is carried gently through the work rather than imposed upon it, giving the image a quiet, meditative rhythm.
The painting reflects on breath as both biological and symbolic: the movement through which relation becomes possible. In this sense, the “mirror” is not a static reflection, but a responsive field shaped through attention and encounter.
Christopher Lee Chang is a Canadian painter, writer, and founder of the Art Research Institute. Anchored by the question, "What happens when imagination is taken seriously?", his practice investigates the symbolic architecture of the human soul. Drawing on trauma-informed therapy, attachment theory, and archetypal psychology, his work spans from executive coaching to mythopoetic oil paintings like A Stranger at the Gate and Archetypal Complex. His Four Faces of God, recently selected for display at the U.S. Ambassador to Canada’s residence, functions as "visual midrash"—contemplative thresholds that invite profound moral and relational reorientation. This June, he extends his inquiry into the literary sphere with The Book of Reflection: Love as Seeing. Bridging psychological science, Kabbalistic wisdom, and relationship psychology, the book introduces "The Love Equation"—Reflection, Devotion, and Sovereignty—to help readers break unconscious patterns and building conscious intimacy.
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