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This work is divided into two distinct but interconnected planes. The left side acts as a wall, enhancing the discovery initiated by the metals and the color yellow, while the right side acts as a slate, supporting the visual action. The yellow color serves as both the opening and closing of the image, while the metallic stripes and black act as visual distributors within the painting.
In painting this picture, my goal was that each viewer could… access it in a different way and that it would be they who, through their memory and experience, would give meaning to the image.
David San Francisco, PhD in Fine Arts, primarily uses oil, acrylic, resins, waxes, colored pencils, and metals, merging his academic and teaching background with his artistic practice. His technique explores ambiguous abstraction, employing the subtraction and addition of materials to create geometric compositions that engage the viewer, inviting them to assign personal meaning to each work. His paintings evoke an emotional and cognitive transformation, prompting a continuous reinterpretation and renewal of the viewer's visual memory.