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As junior member of the publicity unit of If It's Tuesday, This Must Be Belgium, one of the great B movies, I got out to photograph the unit photographer and Elsa Martinelli doing their thing off set in Venice. At her peak from the late 1950s into the late 1960s she approached the popularity and status of top rival "Hollywood Italian imports" Sophia Loren, Gina Lollobrigida and Claudia Cardinale. "Her slim, sexy figure and elfin looks birthed the… quip that she was a 'kind of Audrey Hepburn with sex appeal'," according to Wikipedia. "Outside her busy film career, Martinelli was a member of the glitterati, married to an Italian count and befriending such international celebrities as Maria Callas, Aristotle Onassis and Jackie Kennedy." The extreme pose might be sexist but the little boys add a whimsical note. Singulart does not have a category to acces for photography nor for the process, gelatin silver, made archival by the photographer in her NYC darkroom in the 1970's. Last print left.
Photo editor of the Harvard Crimson. Her photography for private literary, social and fashion clients featured in Newsweek, Time, The Village Voice, Le Monde; in films including She's Beautiful When She's Angry; The Source; Everything is Copy; of NYC's Lower East Side Art Scene including Shadowman and Make Me Famous; the 1972 and 1976 National Democratic Conventions and the campaigns of Eugene McCarthy, McGovern, Lowenstein, Abzug, Holtzman, Vietnam Veterans Against the War, Ronald Reagan, Jimmy Carter and election night in Plains, GA in The Perfect Portfolio, Newsweek's Pictures of the Year; in plays: Gloria: A life; The Heidi Chronicles, Bella! Bella! Originator and Director of the Community Workshop Program at the International Center of Photography, NYC, taught black-and-white and Cibachrome photography there, 1975 - 1979. Founding VP and Director of Programs, the Alice Austen House, Staten Island. Official photographer for the First National Women's Conference.
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Elsa Martinelli in Venice
Diana Mara Henry
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