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Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
35.4x43.3in
About this artwork
It is one of the last works of the artist's time-woman-fashion triangle series. As the name suggests, it is composed on the holy phenomenon of women. The preservation of this sacred beauty, the passage of time, the beauty preserved as a bust, flowers whose beauty faded in a very short time, butterflies whose beauty disappeared in a very short time, the pigeon and the tadpole bird, which is the indicator of pure beauty, are gathered together with… the clock in the middle. The kiss marks seen on the bust show the provocative interest, jealousy and love of women towards beauty. The woman who put roses on the bust as an altar reflects her belief attitude towards this beauty. The sad and thoughtful look of the woman who has covered her face with a veil shows another aspect of preserving beauty. The woman in a blue dress decorated with a peacock pattern and feather is another indication of the natural preservation of beauty.
« Art is in the things I see, feelings I feel, the best way I can express what is going on inside me, the messages I want to deliver to my viewers without loosing the beauty of art. »
Emil Aziz is an emerging Turkish painter who has exhibited his work in Azerbaijan and France. Fascinated by the act of simple observation from a young age, he values his work as an artist for the pure freedom of expression and wordless feeling. Seeking to infuse classical techniques with a modern approach, he composes paintings that immerse the viewer into scenes of life rich in colour and light.