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Other artworks by Etienne PERRONE
Artwork details
- Printing : Digital on Metal , Alu-Dibond
- Framing : Framed
- Dimensions : 31.5x20.9in
- Edition : All editions sold (30 / 30)
- Artist's proof : 1
- Hors commerce : 1
About this artwork
Hahnemühle Photo Rag Baryta 315g fine art print on 2mm Dibond, presented in a black American box (without glass).
Limited editions of 30 copies, signed and certified with ARTtrust tamper-evident certificate.
80×120 cm and 100×150 cm formats available on request.
Los Angeles, United States
This road is perched high in the LA hills, on the other side of the Hollywood Sign, a stone's throw from a friend's house. A road that's almost invisible,… isolated, silent.
We're in Los Angeles, but we could be somewhere else. There's something Lynchian about it. A light that's too calm, a dull tension, an endless turn.
This is a photo taken in 2016 or 2017. I recently cleaned it up, reducing the noise and bringing the atmosphere back into focus.
It became a bestseller, and I can see why.
Limited editions of 30 copies, signed and certified with ARTtrust tamper-evident certificate.
80×120 cm and 100×150 cm formats available on request.
Los Angeles, United States
This road is perched high in the LA hills, on the other side of the Hollywood Sign, a stone's throw from a friend's house. A road that's almost invisible,… isolated, silent.
We're in Los Angeles, but we could be somewhere else. There's something Lynchian about it. A light that's too calm, a dull tension, an endless turn.
This is a photo taken in 2016 or 2017. I recently cleaned it up, reducing the noise and bringing the atmosphere back into focus.
It became a bestseller, and I can see why.
Etienne PERRONE
France
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Étienne Perrone is a photographer and filmmaker trained in cinematography. For over twenty years, he has explored the city as a mental territory. He walks alone, often at night, in search of scenes no one is watching, strange lights, and inhabited silences. He uses colored flash as a sliding tool, revealing a parallel dimension in the mundane. His aesthetic, cinematic and sensory, captures suspended moments—between solitude, vertigo, and fiction. He doesn't document reality: he displaces it. Each image becomes a gentle crack, a slow apparition, a potential world. His works question our gaze: photography is that place where another reality is revealed. It's not about seeing more, but about seeing differently.