Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Hahnemühle Photo Rag Baryta 315g fine art print on 2mm Dibond, presented in a black American box (without glass).
Limited editions of 30 copies, signed and certified with ARTtrust tamper-evident certificate.
80×120 cm and 100×150 cm formats available on request.
Los Angeles, United States
View taken from Silver Lake, a neighborhood I love in LA — quiet, high up, a bit bohemian, with beautiful views of Downtown.
In Los Angeles, you don't photograph… like you do in Bangkok. It's a city of cars, quick stops, and codified streets. You move forward in fits and starts.
I came across this scene: strange contrast between the skyscrapers in the background and this small Mexican-style house in the foreground.
The image is from 2016 or 2017. I recently restored it: noise reduction, better sharpness.
A refurbished photo, between memory and modernity.
Étienne Perrone is a photographer and filmmaker trained in cinematography. For over twenty years, he has explored the city as a mental territory. He walks alone, often at night, in search of scenes no one is watching, strange lights, and inhabited silences. He uses colored flash as a sliding tool, revealing a parallel dimension in the mundane. His aesthetic, cinematic and sensory, captures suspended moments—between solitude, vertigo, and fiction. He doesn't document reality: he displaces it. Each image becomes a gentle crack, a slow apparition, a potential world. His works question our gaze: photography is that place where another reality is revealed. It's not about seeing more, but about seeing differently.