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Medium :
Digital on Fabric , Alu-Dibond under plexiglas
Framing :
Framed
Dimensions :
23.6x35.4in
Edition :
3 / 3
Artist's proof :
2
About this artwork
The common origin of nothing and everything is the opening idea of *Tautology*.
In the film’s opening scene, not one but three digital projectors project white or blank, unmarked images onto the three walls of a space. The increase in the number of projectors refers to the space bounded by the walls and, at the same time, to the visual and spatial relationships accumulated by the recordings. Because an image is projected onto each of the walls… visible in the film, a more complex relationship regarding the relationship between space and image emerges as a result of the permeability from one image surface to another. The appearance of the surrounding space seeps into the unmarked white squares, creating a tautological sign where the film’s image reveals the location of the recorded image within the space.
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Gabor Osz is a painter, photographer, printmaker, and conceptual artist with extensive training from the Art Academy Budapest and the Rijksakademie, Amsterdam. She masterfully harnesses light as her primary medium, using both analog and digital processes, including camera obscura and experimental techniques, to deconstruct and rebuild the nature of images. Her interdisciplinary approach produces evocative works that invite viewers to reflect on perception, time, and the very existence of reality, imbuing each artwork with a profound sense of philosophical inquiry and wonder.