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Galyna Antonenko
Portugal
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Other artworks by Galyna Antonenko
A little girl planted a tiny poppy seed with hope and care, and by morning, a colossal poppy had miraculously grown in its place. The enormous red petals and sturdy green stem towered over her, creating a scene of wonder and enchantment. The girl's eyes sparkled with delight as she marveled at the overnight transformation of her humble seed into a magnificent bloom.
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 15.7x15.7in
Galyna Antonenko
Portugal
I, Galyna Antonenko, am an architect by training.
I studied painting for six years in the private studio of the renowned Ukrainian artist V. Sosna. I use primarily bright acrylic paints in my works.
My art is an attempt to stop time.
When I paint women's portraits, it's as if I whisper to them: "Stop, moment—you are so beautiful!"
I am inspired by those brief, almost imperceptible moments when a person becomes truly visible—without posing, without protection, simply themselves.
The women in my paintings are not models, but reflections of inner strength, vulnerability, and beauty in simplicity.
I seek in every face that facet of light where life is hidden.
Children's portraits occupy a special place in my work. Adults strive to appear, while children strive simply to feel. And I strive to capture this pure feeling: delight, surprise, sadness, joy—everything that makes us alive. My paintings are more than just images. It is a dialogue with the moment.
I studied painting for six years in the private studio of the renowned Ukrainian artist V. Sosna. I use primarily bright acrylic paints in my works.
My art is an attempt to stop time.
When I paint women's portraits, it's as if I whisper to them: "Stop, moment—you are so beautiful!"
I am inspired by those brief, almost imperceptible moments when a person becomes truly visible—without posing, without protection, simply themselves.
The women in my paintings are not models, but reflections of inner strength, vulnerability, and beauty in simplicity.
I seek in every face that facet of light where life is hidden.
Children's portraits occupy a special place in my work. Adults strive to appear, while children strive simply to feel. And I strive to capture this pure feeling: delight, surprise, sadness, joy—everything that makes us alive. My paintings are more than just images. It is a dialogue with the moment.
