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I see colour and texture in this picture. Being a painter, using a rangefinder, feels a little alienating coming up with an image photography viewers would describe as “painterly”, referring to the background. I don’t think of it like that. Painterly means something completely different for me. Two among other explanations I can think of are: the way chiaroscuro configures works during Baroque, and how, formally, space is flattened from Redon, Gaugin,… the Nabis and on.
This is about texture as well, not just colour and hues of green and orange, two secondary colours dominating the spectrum here. It is also about getting close to objects and things, through a human made machine: a photographic camera.
George-A. Makridis, a painter and digital artist, was initially drawn to the canvas by his mechanic father. He adeptly manipulates oil, water-based mediums, and digital interfaces, crafting works that defy conventional forms while experimenting with collage and mixed media. His connection to the environment, physical and spiritual, interweaves his artwork, using instinct rather than philosophy. His work reflects an earnest attempt at bonding with the world, hinting at a quest for goodness, an ephemeral touch we strive for yet never truly grasp.