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Poussière de pixels is a wall-based work composed of small square fragments that together suggest, but never fully resolve into, a complete image. The grid appears structured and systematic, yet remains unstable: gaps, shifts, and interruptions prevent the image from settling.
Each element carries traces of an organic visual language, while the overall composition evokes a digital logic. This tension between the tactile and the coded runs throughout… the work. Occasional red fragments act as disruptions—signals that break the flow and draw attention to the image’s fragility.
Installed directly on the wall, the work is reconfigured for each space. As a result, it exists not as a fixed object, but as a temporary arrangement—an image in a constant state of becoming and dispersal.
Like dust, it never fully settles.
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.
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Poussière de pixels
Herman Van Synghel
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