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Het strakke verticale banenpatroon verwijst naar architectuur en raster — leesbaar als façade, vensterstructuur, datanet of mediapixel. Binnen dat kille systeem verschijnt de kleine vallende figuur: geïsoleerd, bijna weggefilterd. Door de schaal en de reductie tot fragment wordt het individuele drama herleid tot een visuele storing.
Gebaseerd op de foto van een vallende man uit de WTC-torens verschuift het werk naar een reflectie op mediaherinnering… en morele afstand: het onvoorstelbare wordt patroon, het unieke moment wordt beeldcode. Wat overblijft is niet de schok, maar de registratie — en precies dat verlies aan directe emotie vormt de kern van het beeld.
available : 4 on paper
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.