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Binnen de reeks Memories functioneert dit beeld als een demonstratie van hoe herinnering visueel wordt opgebouwd. Het vertrekpunt — het iconische Marilyn-beeld — wordt sterk gereduceerd tot pose, contour en contrast. Niet het detail, maar de structurele vorm blijft over. Daardoor activeert het werk het geheugen van de kijker: herkenning ontstaat niet door informatie, maar door patroon.
De rasterstructuur en de uitgespaarde vlakken werken als geheugenlagen:… filterend, verarmend, maar tegelijk versterkend. Wat ontbreekt wordt mentaal aangevuld. Zo toont dit werk binnen de reeks niet alleen wat we ons herinneren, maar hoe beelden zich in het brein organiseren — als schema, niet als volledige registratie.
available : 1 framed, 4 on paper
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.