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De bed-in van John Lennon en Yoko Ono — een sterk gemediatiseerd vredesgebaar — wordt herleid tot twee anonieme silhouetten en een minimale ruimtelijke structuur. Herkenning ontstaat uit pose en context, niet uit portret.
De woordverschuiving van Bed Peace naar Bed Piece is cruciaal: een kleine semantische kanteling verandert een politiek statement in een kunstobject. Zo toont het werk hoe herinnering niet alleen visueel maar ook talig wordt opgebouwd… — en hoe betekenis onderweg verschuift. Het beeld gaat minder over het event zelf dan over hoe het in ons hoofd als fragment, woord en vorm blijft bestaan.
10 not framed
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.