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Vertrekkend van een beeld van Gauguin wordt de scène herleid tot haar dragende structuur: profiel, gebaar, bloemen, kleurveld. Door de reductie tot uitgespaarde vormen en raster verdwijnt het exotische en schilderkundige detail dat bij Gauguin centraal staat. Wat overblijft is het geheugen-skelet van het beeld — pose en motief als herkenningscode.
Zo toont het werk hoe ook kunstgeschiedenis in het geheugen functioneert: niet als volledig schilderij,… maar als vereenvoudigd patroon. Het iconische wordt schema. Herinnering vervangt stijl door structuur.
available : 1 framed, 2 on paper
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.