Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
The title Rouge et noir inevitably evokes an association with Stendhal, but in your work that reference functions more structurally than literary.
In Stendhal's work, red and black represent two opposing forces: passion and reason, desire and order, life and system. In your composition, these tensions are translated into pure form. The red square and the black circle are elemental, autonomous entities, each defined by a deficiency that can theoretically… be filled by the other. Yet, they do not coincide.
The reference to Le Rouge et le Noir thus reinforces the reading of a fundamental duality: two poles that imply each other, but fail to unite. As in Stendhal, the tension persists—not as a narrative conflict, but as a formal condition. The meaning lies not in unification, but in the irreconcilable distance between complementary parts.
Framed with artglass
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.