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Two elementary shapes—a circle and a square—appear as complementary fragments. Each carries within itself the absence of the other. They seem destined to converge, yet remain irrevocably separated.
The holographic material introduces an unstable perception: the light alters the surface without eliminating the distance between the shapes. Their relationship remains potential, never finalized.
Inaptitude here designates the inability to coincide—not… through lack, but through too precise a complementarity.
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.