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In this work, Julia appears not as a whole, but as a construction of separate, incomplete parts. The mask, fragmented and only partially visible, floats before a background completely covered with fragments of her letters. Words surround her, carry her, and simultaneously form a barrier.
The vertical strips create a distance between face and writing, as if Julia is behind her own words, trapped in the traces she left behind. What is visible seems… to be formed from what remains hidden. Her identity emerges not from certainty, but from interruption, from gaps, from fragments.
Fragments de Julia is not a reconstruction, but a confrontation with the incomplete. Julia exists here as a presence that never fully coincides with her own language—a face that can only appear in the space between what was written and what remains forever unknown.
Herman Van Synghel, a seasoned printmaker with a background in graphic design and extensive experience in teaching, employs etching, screen printing, and linocut as his primary mediums. His works unfold through a rigorous, minimalist vocabulary, foregrounding geometric forms—circles, squares, black fields—explored with a conceptual exactitude that tests the delicate tension between structure and intuition. Through symbolic reduction and poetic imagery, he evokes profound meditations on memory, time, and the dualities of existence, inviting viewers into a state of presence and contemplation rather than immediate interpretation.