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A constellation made of transparent quartz, like fragmented celestial bodies, pierces a metal plate as if struck by a comet. Delicate grasses frame the scene like a crop circle in which something inexplicable has landed – a silent disturbance, a subtle shift in reality.
The suspended artwork is illuminated by LEDs, causing the quartz crystals to glow from within. The quartz stones are soldered into the metal – an allusion to the Tiffany technique,… translated here into a sculptural, free-form arrangement. The untreated grasses react to climate and time, changing slowly as a living reminder that the artwork itself remains part of its environment.
Jan-Micha Gamer works with sculptures, installations, functional objects, and participatory formats, combining a background in product design and social design. His experimental, process-oriented, and material-based style utilizes upcycling, assemblage, and materials research—mostly with found objects such as electronic waste or textiles, which he transforms and recontextualizes. His works explore transience, transformation, and circularity, creating a poetry of the used and inviting viewers to emotionally experience the potential of imperfection and the inherent dignity of the material.