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The Mobile Omniverse explores the tension between strength and fragility, energy and information, balance and decay. Its suspended movement unfolds as a symbol for the equilibrium of opposites – between powerlessness and omnipotence, instability and order.
The five dependencies function as carriers of symbolic levels: they refer to cyclical principles of emergence, knowledge, dissolution, and renewal. Each form stands in a subtle relationship to… the others – connected but not bound, freely in motion and yet part of a larger whole.
Their arrangement creates a quiet, almost mystical tension. The interplay of light, shadow, and movement lends the work a meditative presence—as if a cosmic breath were continuing through the space. Thus, the omniverse becomes a floating allegory for change and interconnectedness—a balance between the visible and the invisible, matter and idea.
Jan-Micha Gamer works with sculptures, installations, functional objects, and participatory formats, combining a background in product design and social design. His experimental, process-oriented, and material-based style utilizes upcycling, assemblage, and materials research—mostly with found objects such as electronic waste or textiles, which he transforms and recontextualizes. His works explore transience, transformation, and circularity, creating a poetry of the used and inviting viewers to emotionally experience the potential of imperfection and the inherent dignity of the material.