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Formally, the Planter Side Table resembles a bonsai tree – a technologically cultivated and domesticated form of nature. It combines barely perceptible elements of everyday life. Only by removing them from their usual context do they become visible. In their combination, they reveal an unexpected perspective and tension on the alienation between technology and nature.
The sculpture creates a balanced tension in the room – the eye is drawn to the… different shapes, textures and colors.
Jan-Micha Gamer works with sculptures, installations, functional objects, and participatory formats, combining a background in product design and social design. His experimental, process-oriented, and material-based style utilizes upcycling, assemblage, and materials research—mostly with found objects such as electronic waste or textiles, which he transforms and recontextualizes. His works explore transience, transformation, and circularity, creating a poetry of the used and inviting viewers to emotionally experience the potential of imperfection and the inherent dignity of the material.