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In physics, lambda represents the decay rate. This scientifically expresses the idea that everything is in flux – subject to decay and transformation. In the hanging sculpture [Lambda], a digital animation of decay processes is juxtaposed with the natural, real process. The contrast between the origin and the resulting complex structure – and the multitude of processes necessary to create a digital, romanticized image of nature and its origins –… is characteristic.
The animation lasts 2 minutes and 25 seconds. After each cycle, the display restarts – an indication of the systematic and repeatable nature of technical processes.
The use of natural materials deliberately leads to a process of slow decay, which can be interpreted as a continuation of the work in its environment.
Jan-Micha Gamer works with sculptures, installations, functional objects, and participatory formats, combining a background in product design and social design. His experimental, process-oriented, and material-based style utilizes upcycling, assemblage, and materials research—mostly with found objects such as electronic waste or textiles, which he transforms and recontextualizes. His works explore transience, transformation, and circularity, creating a poetry of the used and inviting viewers to emotionally experience the potential of imperfection and the inherent dignity of the material.