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This work is supposed to be installed with the impression it has been accidentally forgotten and left in a secluded space.
Language and visuality are tightly connected. Anything not adequately introduced to the symbolised universe is difficult to notice. It remains invisible in plain sight. We need to be able to express what we see to perceive it. Still, many or maybe most things exist outside this realm. We're aware… of just a small portion of what we experience. These things still affect us, and we manoeuvre accordingly, but we do it unconsciously.
Some things challenge our world view, and thus we reject them from being verbalised and brought to the level of consciousness. It particularly concerns the matter of privilege. In order of maintaining a system of privilege, the demands for equality from the marginalised remains unseen, or they are made invisible altogether. That's is why representation is key to a genuinely democratic society.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.