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This work should be installed at some extra height, slightly over eye level.
Language introduces a clean cut into the impenetrable swirl of chaotic matter. It structures and make sense of the indivisible Real and opens up a space for the self-conscious subject to exist. This work also might raise questions about the power of art. Can art as an instrument of illusion, of imagery, of investment, of entertainment, in short… - of pure language, really make any change? Can it make the transgression from the safe sphere of viewing, reading and interpreting to be an agent of transformation? Can it matter? Or is it just pastime? Read more: https://www.jodsoderstrom.com/product-page/277-bite-the-hand
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.