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Karin Doering
Germany
Related collection
Curated content from Tuesday, October 27, 2026 (5)
17 pieces
Artist highlights
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Karin Doering
![LICHTGESTALT XXV [25] by Karin Doering, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/26399/main/base/2198801_3ee03d4d772cc84f9a4acdc5e654c82a.jpeg)
Work from the EYES WIDE OPEN series
Part of the sibling duo SIBLINGS OF HEAT AND FIRE
HEAT is movement, energy that spreads and encounters resistance. Luminous orange breaks through warm yellows and smoky grays. Raised white relief structures create accents, while intense areas of color dissolve into almost silent spaces.
I'm interested in the tension between shaping and letting things happen. I consciously intervene while simultaneously allowing… the paint to find its own way. It flows, connects, and creates structures that cannot be fully planned.
That is precisely where, for me, THE IN-BETWEEN comes into being: between control and letting go.
Part of the sibling duo SIBLINGS OF HEAT AND FIRE
HEAT is movement, energy that spreads and encounters resistance. Luminous orange breaks through warm yellows and smoky grays. Raised white relief structures create accents, while intense areas of color dissolve into almost silent spaces.
I'm interested in the tension between shaping and letting things happen. I consciously intervene while simultaneously allowing… the paint to find its own way. It flows, connects, and creates structures that cannot be fully planned.
That is precisely where, for me, THE IN-BETWEEN comes into being: between control and letting go.
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 31.5x39.4in
Karin Doering
Germany
« The more curious we are, the more creative we become »
My work explores the tension between identity, body, concealment, and transformation.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
Credentials
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
$2,560
