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Karin Doering
Germany
Related collection
Mystères du Violet 2
30 pieces
Artist highlights
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Karin Doering
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 9.4x4.7in
About this artwork
TINY FACE 2 is wild. Sure. And full of excitement.
This small format won't let you go for a second: with strong violet, neon orange and silver structure.
Mini-series within the HUMAN STRIPES® series
The face lies behind the thick layer of paint. Almost as if woven into the pattern of stripes and rhythm. The eyes are visible. Yet hidden. It's precisely this interplay that fascinates me: What do we show, what do we conceal? And how do colors work… when they lead rather than follow?
TINY FACE 2 is a play on contrasts. And an invitation to take a closer look.
Original artwork, unique. Sold with certificate of authenticity.
This small format won't let you go for a second: with strong violet, neon orange and silver structure.
Mini-series within the HUMAN STRIPES® series
The face lies behind the thick layer of paint. Almost as if woven into the pattern of stripes and rhythm. The eyes are visible. Yet hidden. It's precisely this interplay that fascinates me: What do we show, what do we conceal? And how do colors work… when they lead rather than follow?
TINY FACE 2 is a play on contrasts. And an invitation to take a closer look.
Original artwork, unique. Sold with certificate of authenticity.
Karin Doering
Germany
Credentials
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
« The more curious we are, the more creative we become »
My work explores the tension between identity, body, concealment, and transformation.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
Karin Doering
TINY FACE 2
$710
