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Framing :
Cardboard under plexiglas Framing on request
Dimensions :
5.5x7.6in
About this artwork
“ST 107” is a reduced study of nature, focusing the viewer's gaze on a landscape scene in its elemental presence. With a few decisive lines and soft shading, a compressed impression of space, structure, and stillness emerges. The drawing does not capture the landscape itself, but rather the moment of seeing: the immediate grasp of form and weight before details develop.
The image deliberately remains open. It avoids clear motifs and leaves room… for individual associations. In this openness, a silent dialogue arises between perception and imagination—supported solely by the tension between line, surface, and emptiness.
My artistic path is a conscious counter-movement to the dominance of cognition in our time. I work with reduction, atmosphere and form to open up spaces that can be experienced not through analysis, but through imagination and emotional resonance. My works do not appeal to the mind, but to inner perception — that which arises between memory, feeling and image. For me, art is a state that wants to be experienced.
The splintered beings emerge as condensations — between figure and dissolution, between impulse and silence. The Rhine phenomena arise from the direct perception of the river space and condense atmosphere, light and duality into open states between figure and space.
I work with pastel and charcoal on fragmented spaces of perception. Each work is an atmospheric moment that constantly changes at its future hanging location with the changing daylight of the room and unfolds its depth from a distance.
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ST 101 - Studie mit Kohle
Laszlo Toth
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