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Medium :
Pastel, Graphite on Paper , Glass under glass
Framing :
Framed
Dimensions :
7.9x9.8in
About this artwork
I draw this landscape as one tries to remember what never truly disappears. Using photographs taken in a concentration camp, I sketch with graphite on hay-based paper a silent, almost vanished space: bare trees, a path leading to a solitary structure, heavy with history. I choose hay-based paper not as just any support, but as a material laden with meaning: hay, present in the lives of the prisoners, was both a precarious refuge and a source of discomfort,… pain, and survival.
I'm interested in that paradox of memory, where visible traces speak of what's absent. In this drawing, time has passed, but the human presence persists in what remains: in the marks, in the emptiness, in the atmosphere. I don't want to be here, and yet I return, because these places continue to speak.
Leo De la O is an artist trained in painting, with a degree in fine arts and a master's degree in analog and digital photography, excelling as a draftsman, photographer, and printmaker. His mixed media technique merges photography, oil painting, and drawing, exploring postmodern figuration and painterly intervention to create atmospheres of nostalgia and silence. In each work, Leo manipulates individual and collective memories, conveying profound layers of emotion and introspection, inviting the viewer to relive overlapping, fragmented, and timeless memories.