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MY FREEDOM.
There is a deep shadow line that connects Joaquin Sabina's poetic lament in Who Stole April from You? with the yoke of forced motherhood in Margaret Atwood's dystopia The Handmaid's Tale. This connection is the silent pain of unwanted pregnancy, the gestation that no one asked for.
My sculpture stands as a tribute and a silent cry for those lives stopped: for the young adolescents, sometimes almost children, whose life development was… cut short by an imposed or unchosen pregnancy.
A unique piece carved by hand in cedar using a gouge and mallet. Partially polychromed with acrylic paint, the mahogany base and gilded belly stand out. It depicts a pregnant woman walking with a firm and determined stride, in control of herself. The point where her belly joins her body is subtly cut, symbolizing the involuntary nature of her pregnancy.
My work is the result of a disruptive, subversive and eclectic process, without any pretension of an identity style, but rather the fruit of an insatiable, instinctive and bawdy creative process. With my sculptures I try to contribute from my smallness to unraveling the global web that holds humanity prisoner to cruelty and injustice, showing the reality that inspires me but not copied but modified, tortured or invented, dreamed, idealized or crushed, trying to move the viewer. What I try to do with my works is to bear witness to the present, this uncompassionate, reactionary, sexist, cruel, destructive and unjust present.