Discover the creation in interiors
Other artworks by Luigi Notarnicola
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Artwork framed.
- Dimensions : 39.4x39.4in
About this artwork
In this Pop-Expressionist work the visual material dissolves and becomes light, almost absent without being completely lost.
The painting attempts to disappear, but the observer's careful focus forces the subject to become an icon, to exist.
This is an original vision of the flying donkey, in which observation holds the donkey on the canvas and, once the gaze is averted, the donkey is free to soar, to dissolve into its own skies.
The painting attempts to disappear, but the observer's careful focus forces the subject to become an icon, to exist.
This is an original vision of the flying donkey, in which observation holds the donkey on the canvas and, once the gaze is averted, the donkey is free to soar, to dissolve into its own skies.
Luigi Notarnicola
Italy
Artist highlights
-
Rising Stars
Discover our rising stars. These early career artists have caught the eye of the art world. If you are looking for a promising investment, this section is for you.
View all rising stars
Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« The substance scandalizes me. I make fun of the shape. »
Luigi Notarnicola is an artist based in Italy whose work has been exhibited internationally. His art has been featured in publications such as Artribune, Quotidiano di Puglia, and Itinerari nell'arte.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.