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Other artworks by Luigi Notarnicola
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 15.7x11.8in
About this artwork
On this canvas "SUCA" (an expression made in Sicily) is accompanied by an uninviting and impossible to enjoy prickly hair lollipop.
What communication offers us has inviting shapes and colors, they function as irresistible temptations to which we can only give in.
It applies to politics, to selling products and services. It applies to human relationships.
Promises are glittering, unattainable peaks, expensive mirages that fail to meet expectations.…
But what would pure relationships be like, the ones where things are told as they are, where real surprises don't leave a bitter taste in the mouth?
That's all from cynical reality. With love, suck.
What communication offers us has inviting shapes and colors, they function as irresistible temptations to which we can only give in.
It applies to politics, to selling products and services. It applies to human relationships.
Promises are glittering, unattainable peaks, expensive mirages that fail to meet expectations.…
But what would pure relationships be like, the ones where things are told as they are, where real surprises don't leave a bitter taste in the mouth?
That's all from cynical reality. With love, suck.
Luigi Notarnicola
Italy
Artist highlights
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Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« The substance scandalizes me. I make fun of the shape. »
Luigi Notarnicola is an artist based in Italy whose work has been exhibited internationally. His art has been featured in publications such as Artribune, Quotidiano di Puglia, and Itinerari nell'arte.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.