Other artworks by Luigi Notarnicola
Artwork details
- Medium : Acrylic on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 78.7x47.2in
About this artwork
“Pop hand” is a superimposition of forms and symbolic images, the motive for mapping the center of our being.
The hands express our interiority, they are the most marginal extensions of the emotional core, showcase and secret of the most hidden ambiguities.
The work, created using an old drafting machine, reveals an archetypal and symbolic language, necessary to manifest inner impulses.
The hands express our interiority, they are the most marginal extensions of the emotional core, showcase and secret of the most hidden ambiguities.
The work, created using an old drafting machine, reveals an archetypal and symbolic language, necessary to manifest inner impulses.
Luigi Notarnicola
Italy
Artist highlights
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Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« The substance scandalizes me. I make fun of the shape. »
Luigi Notarnicola is an artist based in Italy whose work has been exhibited internationally. His art has been featured in publications such as Artribune, Quotidiano di Puglia, and Itinerari nell'arte.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.