Discover the creation in interiors
Other artworks by Luigi Notarnicola
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Artwork framed.
- Dimensions : 49.2x41.3in
About this artwork
The silent eye is a spectator of the disturbed channels tuned to society, a thousand-year band with cyclical consequences: power, wars, misery.
In this work the observing entity has no mouth to speak and no hands to act: the eye is observation and compassion, investigation and pity.
Everything moves within a deafening noise, in which individual voices - screams of entire populations - remain unheard frequencies, background rustles, sounds waiting… to be isolated.
"Boo" is the request to interrupt the unwelcome spectacle of which humanity is the victim, the cry of disapproval that rises in unison for an immediate suspension of what is wrong.
Can you lend me your voice?
In this work the observing entity has no mouth to speak and no hands to act: the eye is observation and compassion, investigation and pity.
Everything moves within a deafening noise, in which individual voices - screams of entire populations - remain unheard frequencies, background rustles, sounds waiting… to be isolated.
"Boo" is the request to interrupt the unwelcome spectacle of which humanity is the victim, the cry of disapproval that rises in unison for an immediate suspension of what is wrong.
Can you lend me your voice?
Luigi Notarnicola
Italy
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Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« The substance scandalizes me. I make fun of the shape. »
Luigi Notarnicola is an artist based in Italy whose work has been exhibited internationally. His art has been featured in publications such as Artribune, Quotidiano di Puglia, and Itinerari nell'arte.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.