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Medium :
Giclée print on Paper , Synthetic board under plexiglas
Framing :
Framed
Dimensions :
7.5x7.9in
Edition :
25 / 26
Artist's proof :
1
Hors commerce :
1
About this artwork
In The last Bluefin, I position the fish not as subject, but as witness—caught within a crowded, restless human theatre. The figures press in, fragmented and performative, their presence overwhelming the quiet dignity of the animal. I am thinking about intrusion, about how our systems—industrial, cultural, psychological—bleed into spaces that once existed beyond us. The Bluefin becomes a carrier of tension, suspended between survival and spectacle.… As with Land meets sea, I am exploring the collapse of boundaries, where human noise overtakes natural order, and what remains feels increasingly fragile, observed, and alone.
« Our world is tearing itself apart environmentally, socially, and economically. It is my job to highlight the faults as I see them. I disguise dark themes with color and rhythmical lines. »
Marc Rayner is an Australian artist based in Sweden who has exhibited his works nationally, as well as in Sweden, Monaco, France, Qatar, Italy, India, South Korea, Denmark, and Japan. The key to his artworks is the creation of 'quasi-landscapes' rich in text and design, or flat and almost devoid of information. This 'distorted zone' is a place where Rayner's tormented, disenfranchised, and often unfortunate characters exist. He is drawn to outsider artistic styles and naive art in broader terms.