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In "Carbon Body I," I encounter a tree that is no longer merely a backdrop for me, but a being in its own right. The mighty, gnarled trunk resembles a torso, the lateral branch openings evoke shoulders and arms that could stretch into space. From a frog's-eye view, this body grows almost monumentally toward the sky, as if it wanted to rise up between the earth's interior and the canopy.
The title "Carbon Body" alludes to our shared materiality:… tree, human, earth – all forms of carbon in different states of matter. With the warm tones and the emphasized relief of the bark, I reinforce the impression of a living, vulnerable organism. In an animistic sense, this tree is more than just a landscape to me; it is a counterpart that looks at me, even if I have yet to invent its face.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).
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Karbon-Körper I
Marcel van Beek
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