Limes II
Acrylic, Pigments on Paper
30x22in
$1,510
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Maria Dobrican
Italy
Artist highlights
- Bestseller
- Featured artist
- Works on commission
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Artwork details
- Medium : Ink on Wood
-
Framing :
Wood
Framed - Dimensions : 29.9x22in
About this artwork
With "Limes V", the research on the border expands: the dialogue between the ink and the organic glazes of the coffee becomes circular, creating an enveloping core that protects the empty space in a silent meditative tension.
The fragility of the mark on Fabriano paper (56x76 cm) finds its ideal complement in the mounting on a beech plywood panel (55x75 cm). In this deliberate millimeter gap, the edges lift naturally, allowing the rough texture… of the jute to emerge. This three-dimensional expanse celebrates "Subtle Substance" through the tactile contrast between the delicate paper and the underlying fiber. The work thus becomes a sculptural object that transcends the mere visual: as one approaches the surface, one can still sense the deep aroma of roasted coffee, the pungent note of ink, the vegetal scent of jute, and the clean essence of the beech wood that supports it.
The fragility of the mark on Fabriano paper (56x76 cm) finds its ideal complement in the mounting on a beech plywood panel (55x75 cm). In this deliberate millimeter gap, the edges lift naturally, allowing the rough texture… of the jute to emerge. This three-dimensional expanse celebrates "Subtle Substance" through the tactile contrast between the delicate paper and the underlying fiber. The work thus becomes a sculptural object that transcends the mere visual: as one approaches the surface, one can still sense the deep aroma of roasted coffee, the pungent note of ink, the vegetal scent of jute, and the clean essence of the beech wood that supports it.
Maria Dobrican
Italy
Artist highlights
-
Bestseller
Discover Singulart’s most sought after artists. This section is filled with our collector’s favorites and showcases ongoing trends.
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Credentials
- Featured artist
- Works on commission
My artistic research is born from subtraction, from the desire to leave space for silence, for light and for what often remains invisible.
Through painting, matter, and contemplative photography, I explore the fragile boundary between presence and absence. My works thrive on the balance between emptiness and matter, light and shadow, gesture and suspension.
I'm drawn to anything that bears the marks of time and imperfection: worn jute, raw paper, pigments, chalk, water, fibers, and worn surfaces. I don't use them as decorative elements, but as emotional traces and silent memories.
The minimalism I seek is neither cold nor geometric, but contemplative and material, influenced by wabi-sabi aesthetics, Eastern sensibility, and the most essential contemporary photography.
The “unfinished” is a fundamental part of my artistic language: I am interested in suggesting rather than explaining, leaving the observer the space to emotionally complete what is not fully shown.
Through painting, matter, and contemplative photography, I explore the fragile boundary between presence and absence. My works thrive on the balance between emptiness and matter, light and shadow, gesture and suspension.
I'm drawn to anything that bears the marks of time and imperfection: worn jute, raw paper, pigments, chalk, water, fibers, and worn surfaces. I don't use them as decorative elements, but as emotional traces and silent memories.
The minimalism I seek is neither cold nor geometric, but contemplative and material, influenced by wabi-sabi aesthetics, Eastern sensibility, and the most essential contemporary photography.
The “unfinished” is a fundamental part of my artistic language: I am interested in suggesting rather than explaining, leaving the observer the space to emotionally complete what is not fully shown.
Maria Dobrican
Limes V
$2,570
