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Marius Grose
United Kingdom
Related collection
A tappeto di foglie
31 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Marius Grose
Artwork details
- Printing : Digital on Paper
- Framing : Framing on request
- Dimensions : 35.4x23.6in
- Edition : 25 / 25
About this artwork
A fallen leaf caught my eye when I was out walking so I took it back to my studio. I was fascinated with the textures of the leaf and decided to make an abstract composition featuring it. I used layers of other images such as the coloured cotton strings of a Mexican hammock to build up the final composition. I feel there is something mysterious about this plant portrait that invites a quiet contemplation.
The image will be a giclée print on Hanemuhle… fine art paper.
The image will be a giclée print on Hanemuhle… fine art paper.
Marius Grose
United Kingdom
Credentials
- Featured in gallery curations
- Works on commission
ARTIST STATEMENT
My photographic practice explores how familiar subjects can become unfamiliar when removed from their
expected contexts. Working across botanical forms, found urban surfaces and everyday objects, I use
photography as a means of transforming rather than simply recording what is in front of the camera.
I am drawn to subjects that might ordinarily pass unnoticed: the structure of a flower, fragments of road
markings, shadows, reflections, textures and incidental details of the built environment. Through close framing,
changes of scale, abstraction and isolation, their original function becomes less certain. A road marking can
begin to resemble an abstract painting; an ordinary object can acquire an unexpected sculptural presence; a
plant can become a landscape or an ambiguous organic form.
My photographic practice explores how familiar subjects can become unfamiliar when removed from their
expected contexts. Working across botanical forms, found urban surfaces and everyday objects, I use
photography as a means of transforming rather than simply recording what is in front of the camera.
I am drawn to subjects that might ordinarily pass unnoticed: the structure of a flower, fragments of road
markings, shadows, reflections, textures and incidental details of the built environment. Through close framing,
changes of scale, abstraction and isolation, their original function becomes less certain. A road marking can
begin to resemble an abstract painting; an ordinary object can acquire an unexpected sculptural presence; a
plant can become a landscape or an ambiguous organic form.
Marius Grose
Leaf Abstract
$1,200
