Vestigia
Acrylic, Pigments on Canvas
20x20in
$2,290
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Natalia Tykhoniuk
Switzerland
Related collection
𝙔𝙊𝙐 𝙒𝙀𝙍𝙀 𝙉𝙀𝙑𝙀𝙍 𝙎𝙀𝙋𝘼𝙍𝘼𝙏𝙀 𝙁𝙍𝙊𝙈 𝙏𝙃𝙀 𝙎𝙊𝙄𝙇
85 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Cotton on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 19.7x19.7in
About this artwork
Archaic Form is my sculptural meditation on geometry weathered by time — a wall-borne relief where primitive symbols, ancient rhythms, and organic erosion converge into silent architecture.
Each shape is shaped by hand from paper clay on raw cotton canvas, then aged through layering — not for perfection, but for depth. Circles fractured by time, ridges carved like markings, and surfaces textured like ruins, echo the tactile presence of forgotten… civilizations. What emerges is a sculptural map — abstract yet grounded — where every fragment breathes of structure, entropy, and memory.
This work is not a composition, but a terrain. It lives in tension between human mark and natural decay. The matte earthen palette holds shadow and light, order and collapse. It speaks of form not as design, but as revelation.
Part of the Archaea series — an exploration of elemental geometry and silent material memory — Archaic Form stands as a fragment of reimagined structure.
Each shape is shaped by hand from paper clay on raw cotton canvas, then aged through layering — not for perfection, but for depth. Circles fractured by time, ridges carved like markings, and surfaces textured like ruins, echo the tactile presence of forgotten… civilizations. What emerges is a sculptural map — abstract yet grounded — where every fragment breathes of structure, entropy, and memory.
This work is not a composition, but a terrain. It lives in tension between human mark and natural decay. The matte earthen palette holds shadow and light, order and collapse. It speaks of form not as design, but as revelation.
Part of the Archaea series — an exploration of elemental geometry and silent material memory — Archaic Form stands as a fragment of reimagined structure.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Archaic Form
$2,290
