Salterra
Acrylic, Paper
20x20x2in
$2,440
Framing
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Natalia Tykhoniuk
Switzerland
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Pigments on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 11.8x11.8in
About this artwork
Glavita is a sculptural surface where earth speaks through stillness — a wall-borne relief formed not to decorate, but to echo. Hand-shaped from paper clay and layered pigments, its cracked textures recall dried riverbeds, ancient walls, and soil after rain.
Soft mineral tones — clay beige, stone white, and rain-washed grey — shift with light, revealing a topography both delicate and grounded. Each fracture reads like a memory held in matter — not… broken, but opened by time.
This piece does not imitate nature. It emerges from it — as if lifted from a terrain where silence and erosion have shaped more than surface: a presence, a pause. It anchors space with tactile calm.
Part of the Mur Vitae collection, Glavita explores the quiet poetics of earth’s skin — where history and fragility converge in sculptural stillness. A gesture of depth and restraint, carved not in haste, but in deep listening.
Soft mineral tones — clay beige, stone white, and rain-washed grey — shift with light, revealing a topography both delicate and grounded. Each fracture reads like a memory held in matter — not… broken, but opened by time.
This piece does not imitate nature. It emerges from it — as if lifted from a terrain where silence and erosion have shaped more than surface: a presence, a pause. It anchors space with tactile calm.
Part of the Mur Vitae collection, Glavita explores the quiet poetics of earth’s skin — where history and fragility converge in sculptural stillness. A gesture of depth and restraint, carved not in haste, but in deep listening.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Glavita
$1,450
